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Harlequin and Columbine, by Booth Tarkington
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Newton Booth Tarkington (July 29, 1869 – May 19, 1946) was an American novelist and dramatist best known for his novels The Magnificent Ambersons and Alice Adams. He is, with William Faulkner and John Updike, one of only three novelists to win the Pulitzer Prize for Fiction more than once. In an essay titled "Hoosiers: The Lost World of Booth Tarkington", appearing in the May 2004 issue of The Atlantic Monthly, Thomas Mallon wrote of Tarkington that "only general ignorance of his work has kept him from being pressed into contemporary service as a literary environmentalist — not just a 'conservationist,' in the TR mode, but an emerald-Green decrier of internal combustion": The automobile, whose production was centered in Indianapolis before World War I, became the snorting, belching villain that, along with soft coal, laid waste to Tarkington's Edens. His objections to the auto were aesthetic—in The Midlander (1923) automobiles sweep away the more beautifully named "phaetons" and "surreys"—but also something far beyond that. Dreiser, his exact Indiana contemporary, might look at the Model T and see wage slaves in need of unions and sit-down strikes; Tarkington saw pollution, and a filthy tampering with human nature itself. "No one could have dreamed that our town was to be utterly destroyed," he wrote in The World Does Move. His important novels are all marked by the soul-killing effects of smoke and asphalt and speed, and even in Seventeen, Willie Baxter fantasizes about winning Miss Pratt by the rescue of precious little Flopit from an automobile's rushing wheels.
- Published on: 2016-01-19
- Original language: English
- Dimensions: 9.61" h x .21" w x 6.69" l,
- Binding: Paperback
- 92 pages
About the Author
Booth Tarkington is the author of Magnificent Ambersons.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Funny Tarkington
By mchenryed
This book is a short novel about the production of a play. Stewart Camby has spent the past two years writing and polishing his masterpiece. The book starts at the beginning of dress rehearsals. Camby's cast and managerial staff includes a wide variety of characters that cause ultimately Camby consternation.
For instance, the famous, lead actor Talbot Potter constantly insists that the Camby change the play to suit him. Talbot, a bachelor, is also smitten with Wanda Malone, the ingenue. He wants her part to stand out and eventually have his character fall in love with her (which mirrors his real life feelings for Wanda). Camby's once perfect play must suit Talbot's fickle tastes as Camby himself becomes infatuated with Wanda. Before the end of the book, Camby's play has changed drastically from what it used to be to hold the actor's interest.
Tarkington writes an interesting and funny look at the production of a play. The neurotic characters are a joy. However, the start of the book was a little confusing, but once the story gets rolling the characters come alive. The ending was also a surprise and made the book worthwhile.
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