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Kai, by Derek Vasconi
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Japanese horror? Check.
The bastard child of Haruki Murakami’s 1Q84 and Stephen King’s CARRIE, KAI explores how one innocent girl becomes the target of enormous rage living inside another girl-who is seemingly from another world.
Satsuki Takamoto is an invisible otaku teenager in Hiroshima. The only thing she has going for her is the upcoming birth of her sister. No longer will she be alone. But when her mother has a gory miscarriage right in front of her, Satsuki loses her one chance at happiness. She spirals into a deep depression, shutting out everyone and everything by locking herself inside her bedroom-for good. Her sadness, however, pales in comparison to her uncontrollable anger. It spreads like a nuclear fire, ambivalent to what or who it destroys, and won’t stop until Satsuki accepts her sister’s death.
Meanwhile, on the other side of the world in Evanston, Illinois, Seul Bi Rissiello can’t sleep because every time she closes her eyes, she relives her adoptive parents’ gruesome deaths. Why is she thinking so much about them now, ten years afterward? As she struggles with working at a clinic for the mentally disturbed, Seul Bi starts to unravel under the weight of living a lonely life and being twice an orphan. Her life devolves into a series of ominous and dangerous hallucinations that threaten not only her sanity, but her very existence as well.
As both girls struggle to understand what is happening to them, their enigmatic connection comes into focus, raising the question: What if all the suffering in your life was carefully choreographed by somebody you’ve never met?
Winner of the National Indie Excellence Award for Best Horror Book of 2016
REVIEWS FOR KAI:
"Two young women- a Japanese schoolgirl in Hiroshima and a Korean orphan in the US- seemingly living parallel lives are drawn together in a Japanese horror story of interconnections and dark imaginings. Through the fevered imaginations of its protagonists Vasconi takes us on an ever-changing journey across oceans and continents and through a maze of sexual tensions, horrific miscarriages, and malevolent thoughts, against the ever-present backdrop of the Atomic Bomb and its searing disfigurements. Yet through the clouds of nuclear dystopia come rays of transformative light in a compelling finale that grips the imagination and leaves one looking back at the interconnections at the heart of this gripping tale."
-Ian Reader, Author of Religious Violence in Contemporary Japan: The Case of Aum Shinrikyo
"KAI combines horror, drama, mystery, and philosophy in an engaging, gory and violent character study of two young girls." -IndieReader.
"The style immediately reminded me of 1Q84...Like Murakami, Derek manages to create a very blurry line between what is real and what isn’t. The detailed descriptions and graphic imagery really helps create the world both Satsuki and Seul Bi live in, and the difficulties they go through. If you’re squeamish though, be warned, as some scenes in the book can be quite difficult to stomach." -Nihon in London
"This book is quite an eloquent, yet biting read: the slow, creeping, eventually brutal feel of the piece is truly terrifying at times. It’s got a lot of nuance and subtle pacing that makes Asian-inspired horror fiction great, all the while drawing from American Gothic to make a really eclectic, varied feel – and all the more disturbing for it. To be blunt, it’s weird as hell, in the best of ways." Self-Publishing Review
"Derek weaves a compelling tale in ‘Kai’. The story shifts focus smoothly between Satsuki and Seul Bi, from the understated opening chapters, right through to the grand reveal of just what it is that connects these two girls. Most importantly the characters you are introduced to are believable, making the occasional visceral moments all the more potent." -Ross Lovell, Emily Loves Japan Official Blog
- Sales Rank: #237817 in eBooks
- Published on: 2016-01-06
- Released on: 2016-01-06
- Format: Kindle eBook
Review
*Winner of the National Indie Excellence Award for Best Horror Book of 2016* *Winner of the Indie Reader Discovery Award for Best Horror Book of 2016*
*Finalist for the 2016 Eric Hoffer Award
"Two young women- a Japanese schoolgirl in Hiroshima and a Korean orphan in the US- seemingly living parallel lives are drawn together in a Japanese horror story of interconnections and dark imaginings. Through the fevered imaginations of its protagonists Vasconi takes us on an ever-changing journey across oceans and continents and through a maze of sexual tensions, horrific miscarriages, and malevolent thoughts, against the ever-present backdrop of the Atomic Bomb and its searing disfigurements. Yet through the clouds of nuclear dystopia come rays of transformative light in a compelling finale that grips the
imagination and leaves one looking back at the interconnections at the heart of this gripping tale."
-Ian Reader, Author of Religious Violence in Contemporary Japan: The Case of Aum Shinrikyo
"Derek weaves a compelling tale in 'Kai'. The story shifts focus smoothly between Satsuki and Seul Bi, from the understated opening chapters, right through to the grand reveal of just what it is that connects these two girls. Most importantly the characters you are introduced to are believable, making the occasional visceral moments all the more potent; after all, horror is all the more horrifying when it's happening to characters you can relate to." -Ross Lovell, Emily Loves Japan Official Blog
"KAI combines horror, drama, mystery, and philosophy in an engaging, gory and violent character study of two young girls." -IndieReader
"The style immediately reminded me of 1Q84...Like Murakami, Derek manages to create a very blurry line between what is real and what isn't. The detailed descriptions and graphic imagery really helps create the world both Satsuki and Seul Bi live in, and the difficulties they go through. If you're squeamish though, be warned, as some scenes in the book can be quite difficult to stomach." -Nihon in London "This book is quite an eloquent, yet biting read: the slow, creeping, eventually brutal feel of the piece is truly terrifying at times. It's got a lot of nuance and subtle pacing that makes Asian-inspired horror fiction great, all the while drawing from American Gothic to make a really eclectic, varied feel - and all the more disturbing for it. To be blunt, it's weird as hell, in the best of ways." Self-Publishing Review, 5 Stars
"A deftly crafted Japanese themed horror fantasy of the first order, "Kai" by Derek Vasconi is an inherently fascinating, page-turner of a read from beginning to end -- but with the lights on at all times!" Midwest Book Review
About the Author
Derek Vasconi was raised in Sharon, Pennsylvania, a small town near Pittsburgh, PA. He didn't stay there for very long, as after graduating from high school, he co-founded the metal band, From A Second Story Window, and went on tour for most of his early 20's. In 2006, Derek made the decision to move on from the band and pursue a Bachelor's Degree in Human Development, which he achieved, at Penn State University. After doing this, he went to Japan to live on and off for the next five years, and life has never been the same for him since. Derek has accomplished a myriad of things in his life, including founding a traditional, independent book publishing company, creating an iphone app (eMobo, which brought the Japanese cell phone novels, or "keitai shousetsu," to the Western world), and now, has pursued writing himself. His first book, KAI, showcases Derek's passion for both Japan and horror, as he blends them seamlessly in an unforgettable and jaw-dropping debut book about one girl from Hiroshima who wants to destroy the world. Additionally, Derek is currently working on several more horror novels, and when he's not writing, he spends his time hopelessly devoted to all things otaku, listening to JPOP music, and hanging out with his little daughter and pet cat, Gachapin, who hates all humanity.
Most helpful customer reviews
2 of 2 people found the following review helpful.
An incredible psychological horror.
By Sarah O.
Two girls suffering horrific misfortunes. An ocean between them. They're connected... but how?
--
Kai pushed me past my limits. It made me feel all sorts of emotions (anger, sadness, denial, and eventually surreal calmness...). Besides having to take a breather from a few "holy sh*t" moments, I could not set this book down. Vasconi writes in a way that makes the reader yearn for more. His descriptions, while often violently graphic, give perfect insight into what the characters are experiencing. (Warning: this book is not for the faint of heart!)
1 of 1 people found the following review helpful.
More thriller than horror
By Islandreader Tina
*Book provided in exchange for an honest review*
While not my usual preferred genre, I was very interested in reading a horror story and when the author approached me, figured I'd give it a shot. Unfortunately, this really wasn't a horror, more psychological thriller. It kind of reminded me of Dean Koontz books, style-wise. But how it differed was in the childish and immature vibes. Especially in the dialog. It felt like a YA in that regard. So there's 2 of my 3 most loathed fictional genres.
So, why did I even bother finishing the book? Props to the author for weaving a tale that reeled me in. Despite my dislike for the genre, I was very curious about what would happen next. I could barely put the book down it was that interesting. I have a little experience with Dean Koontz and I think fans of his would enjoy Kai.
1 of 1 people found the following review helpful.
Introducing a "Cultural Fiction" Great!
By G.W. Pomichter
Raising a new bar, author Derek Vasconi has created a new genre in his cultural fiction novel that truly bends the realities of a culture with a fictional world where it seems anything is possible.
As described the story "explores how one innocent girl becomes the target of enormous rage living inside another girl - who is seemingly from another world."
Vasconi explores the connection between two girls separated by oceans, of not only water, but of understanding. The story looks at how this enigmatic connection interacts with the very real human tethers of grief and longing. It asks the impertinent question, "What if all the suffering in your life was carefully choreographed by somebody you’ve never met?"
Are you in control of your life? Is anyone?
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