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The Sleep Garden, by Jim Krusoe
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The Sleep Garden explores and pushes the boundaries between fact and imagination, real and surreal, and life and the afterlife.
In an underground apartment building called “the Burrow”--essentially purgatory―“twilight souls” inhabit the space between life and death. Interwoven with their stories are those of inhabitants of the living world: a retired sea captain, a psychotic former child actor (possibly the sea captain’s illegitimate son?), and the technicians who monitor the Burrow, making sure its occupants have a constant supply of oxygen and food. Through all of their stories, and the ways in which their lives, past and present, intertwine, Krusoe creates a poignant story about what constitutes a life, what remains when we die, and what we possibly carry with us into the next world.- Sales Rank: #596823 in Books
- Published on: 2016-01-27
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x 1.00" w x 5.00" l, .0 pounds
- Binding: Paperback
- 342 pages
From Publishers Weekly
The subterranean setting of Krusoe's (Parsifal) latest is "the Burrow," a "low mound that rises out of earth." Here, residents exist somewhere between reality and daydreams, inner thoughts and action. But are their daydreams and obsessions any better or worse than those living a "real" existence? Judging from the stories from outside the Burrow, not really. The novel captures a world of paradoxes that are dark and optimistic, sad but strangely humorous. Jeffrey writes letters advocating for the use of crossbows; Heather is fascinated with the oddities of the men she dates; Madeline fantasizes about becoming a celebrity chef; Raymond delves into a world of decoy ducks; and Viktor desires money, power, and Madeline. Krusoe's spare language creates a sinister peacefulness that is both eerie and enticing. The vivid description and narrative movement from one character to the next keeps the plot intriguing, conveying a dreamlike atmosphere of wandering in and wondering at life. (Jan.)\n
Review
“Ultimately, Krusoe is a superb entertainer with a Mad magazine-like appreciation for the absurd. His is a vision that stretches and expands in unexpected ways, leaving no aspect of popular culture untouched (Grape Nuts, The Fly and Soviet literature make welcome appearances.) At his best, he is right up there with such death-in-life/life-in-death masters as the bewitching Jonathan Carroll (The Land of Laughs) and spritzing Stanley Elkin (The Living End). The afterlife has never been the same.” (Chicago Tribune)
“From one of our great deadpan absurdists―a new member of the club to which George Saunders, Robert Coover, and Stanley Elkin belong―comes a book of unearthly delights that will have you, too, wondering nervously what that incessant grinding sound is.” (Kirkus, STARRED)
“The Sleep Garden is Jim Krusoe's looniest and most satisfying book. Inane and trivial questions are given close consideration, while questions of life and death (and the differences between life and death) are intimated and then suspended.
Only a special kind of genius (or an idiot savant, as the book suggests) could dream this stuff up. I have no idea how be does it, but do it he does, and no one else can blur stupidity and significance with such sublime, funny and human results.” (Michael Silverblatt, Bookworm)
“The Sleep Garden is the wry, warped purgatory as Möbius Strip. You follow along the rolling, open road and suddenly you’re upside down and backwards, staring at your own nether end. Sisyphean and webbed by permutations, the narrative ends just as the characters take charge of their lives. It's a brilliant, and poignant, rendering of white light.” (Laura Glen Louis, author of TALKING IN THE DARK)
“"Jim Krusoe’s soulful characters inhabit an underground warren of apartments called The Burrow, but unlike Kafka’s menacing fable of that name, these twilight existences are benignly monitored by aboveground technicians. Gone is Kafka’s paranoia-inducing menace, and now for our delectation is Krusoe’s fractious and blackly comedic fable for our technology-entombed time. Jim Krusoe is Franz Kafka’s most brilliant literary descendant."” (Michelle Latiolais, author of Widow)
“Jim Krusoe’s excellent The Sleep Garden offers a deceptively fragile, but surprisingly durable and elastic, mosaic of voices. The book’s inhabitants exist in that liminal space between life and afterlife, yes, but more so between the fostering of banal ambitions and the awakening of eternal regrets. It’s a brilliant wry comedy forever tilting toward tragedy―a dispatch from the dreamy edge of realism, as only Krusoe can tell it.” (Ken Calhoun, author of BLACK MOON)
About the Author
Jim Krusoe is the author of the novels Parsifal, Toward You, Erased, Girl Factory, and Iceland; two collections of stories; and five books of poetry. His stories and poems have appeared in the Antioch Review, Bomb, the Chicago Review, the Denver Quarterly, the American Poetry Review, and other publications. He is the recipient of fellowships from the National Endowment for the Arts and the Lila Wallace Reader’s Digest Fund.
Most helpful customer reviews
2 of 2 people found the following review helpful.
What Is Thought? And Why Do We Think?
By Christina Zawadiwsky
Like a line of people whispering their secrets to each other, in The Sleep Garden Jim Krusoe offers us the inhabitants of The Burrow, a group of characters so deeply esconced in their own lives that they rarely see anyone else from the outside world. They are all thinkers who continue to live on and on, forgetting (and then sometimes remembering) the particulars of their interactions with each other. The Burrow "is safe," a place where its occupants are protected from harm and thus are free to keep on thinking.
Krusoe's writing is seamless and fluid, with natural rhythms that lead us to highly believable images and strange ideas. The Burrow speaks with great silence (as we do in our own minds) that often dissolves in the way that memories and associations fade and disappear as we hear private thoughts from deep inside each person, thoughts that would never otherwise be stated aloud. All of these people have been ".....dropped onstage midway through some ongoing dramatic series, or maybe a situation comedy" as they muse to themselves about celebrity and fame, personal failures, sexual relationships and the future while carving ducks, working at phone sex jobs, or playing the stock market. The Sleep Garden explores the nature of thinking itself in both a casual and surgically analytic manner. What, indeed, is thought? And why do we think?
The natives of The Burrow like being hidden away. Whatever they actually do, their thoughts matter more than anything else. They live "as the self outside the self, the self mysterious in the way we cannot ever be a mystery to ourselves, the self known through touching others in the way we ourselves can never be known, the self outside the self, of it being touched, of our being connected, for once not alone but a part, for once no different, for once at home in a world where we are never at home, for once ourselves, remembering, wherever we may be."
And, alternatively, "likewise, it is also possible to think you have touched a thing when you have not, and to believe you have remained untouched when this is not the case." Constructs of words create their belief systems and propel them through their lives. In The Burrow everyone seems to be waiting - yet, as the author asks, "But waiting for what? And waiting for how long?" as life's eternal questions arise within them. As Junior thinks, "There are many who say the world is neither happy nor unhappy, but how are we supposed to know anything at all about the outer world except through our inner world?" Life becomes a script that then becomes real as these Sleepers are immersed in their own worlds because very little that's going on anywhere else matters. The story is everything, and is it reality or a dream? It's up to the reader to decide, as "what is this dream.....we humans have to live out an alternate story to our own lives?"
The Burrow's inhabitants are "twilight souls" who ".....neither exist nor do not exist.....but who reside in a moment that is inseparable from memory, who live in hope that's a kind of hopelessness." Eventually they all question whether they are already dead.
Witty, philosophical, innovative and sparkling with understatement, Jim Krusoe's The Sleep Garden leads us to question whether we too are alive or only dream shadows of ourselves, important to one another or not thought of at all, using touch as a primary mode of communication and spending most of our lives talking to ourselves. This is a book about dream and memory, want and expectation, the basic realities of life and, most of all, both the power and vulnerability of thought.
4 of 5 people found the following review helpful.
Great novel-highly recommended
By Chris Keele
The Sleep Garden opens with several questions for which no answers are provided. In the course of the book, I couldn't help but pose questions to myself to try to explain some strange occurrence, dialogue, situation, or some such, and yet as soon as a possible explanation or answer started to form it would disperse. I think great books make the reader sit and ponder for a moment before continuing on, and this one had me pondering quite a bit.
Many of the reviews highlight the book's humor, and there is a lot of it, but that isn't the substance. The bits of humor are sprinkled like sugar over an otherwise savory meal, highlighting and contrasting the various flavors. I found myself laughing (or at least chuckling) countless times (WYASBIWYCIM-"Wow! Is that Welsh? Or maybe Polish.") but so often a strikingly deep passage would come out of nowhere and make me do the pondering thing again.
There's much to think about: the space between life and death, wakefulness and sleep, reality and irreality, hopes of another, better life. This is a fantastic novel, and one which I'd recommend to everyone. Jim Krusoe can write!
2 of 2 people found the following review helpful.
I see twilight souls.
By writer30033
My book club just read this. Well, I read it. No one else could get through it. It's not for everyone... if you like "metaphysical" or "postmodern" novels like Remainder or Kafka on the Shore, you will love The Sleep Garden. The characters were well drawn; the lines between reality and unconsciousness and memory and fantasy deliciously blurred. Krusoe deftly breaks down celebrity culture and the distancing/false intimacy of technology. The best writing challenges our view of life and its meaning. The Sleep Garden achieves this, with the bonus of some laugh out loud lines.
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