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Cogling, by Jordan Elizabeth
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When fifteen-year-old Edna Mather tears an expensive and unfamiliar pocket watch off her little brother’s neck, he crumbles into a pile of cogs right before her eyes. Horrified, Edna flees for help, but encounters Ike, a thief who attempts to steal the watch before he realizes what it is: a device to power Coglings—clockwork changelings left in place of stolen children who have been forced to work in factories.
Desperate to rescue her brother, Edna sets off across the kingdom to the hags’ swamp, with Ike in tow. There, they learn Coglings are also replacing nobility so the hags can stage a rebellion and rule over humanity. Edna and Ike must stop the revolt, but the populace believes hags are helpful godmothers and healers. No one wants to believe a lowly servant and a thief, especially when Ike has secrets that label them both as traitors.
Together, Edna and Ike must make the kingdom trust them or stop the hags themselves, even if Ike is forced to embrace his dark heritage and Edna must surrender her family.
- Sales Rank: #187778 in eBooks
- Published on: 2016-01-25
- Released on: 2016-01-25
- Format: Kindle eBook
Most helpful customer reviews
8 of 8 people found the following review helpful.
Amazing World Building, Questionable Characters
By Sarah G
I received a copy from NetGalley in exchange for an honest review.
**Mild Spoilers Ahead**
I wasn’t sure what to expect going into this book, but the premise had me hooked from the start. Hands down, Jordan Elizabeth’s greatest strength is her world building. She is effortlessly immersive in her style, and the steampunk fantasy world of Cogling truly came alive for me.
At only 15 years of age, Edna shoulders many burdens, whether it be earning money to support her family, taking care of her younger brother or worrying about the state of her country. She’s far kinder to other species kept as slaves, and her kindness throughout the book helps her get out of some particularly difficult scrapes. Many of these scrapes come out as tense action sequences, both magical and/or violent, and Elizabeth has a particular gift for writing a gripping action sequence.
I did find the more emotional passages to be a little stilted. When I originally began the book, I thought it was intended for more ambitious middle grade readers. The internal monologues and narration felt aimed towards a much younger reader than the violence at the end is suitable for. The romance felt very arbitrary at first, but by the end I really enjoyed their interactions.
I take serious issue with the doctor who seemed to exist only to insert sexual assault as another violence in the narrative. It truly felt random and was never dealt with again. They rescued their friend, stuck a complete stranger in there to be assaulted instead and moved on with their lives. Especially when recommending this book to someone, I think this brief character and set of choices should be strongly kept in mind.
I was deeply disappointed in the end of the book. Our heroes seem to have plotted a mini-genocide, and then instead of dealing with any of the social issues that have been so close to Edna’s heart through the book, she finally gets to live a life of luxury with her family. That’s the end. I was completely surprised that there was no talk of social reform, no moving forward with the king to release the slaves or help the poor- just a giant party.
I would say this book is well suited for more mature middle grade readers as well as high school. I do recommend this book because I think that authors with a talent for world building like Elizabeth are hard to find- if you like steampunk or fantasy you will love being immersed in Cogling.
2 of 2 people found the following review helpful.
Interesting world, disappointing execution
By swingdancefan
It started out so well. I loved the steampunk-ish, Dickensian world. The plot had some nice peaks and valleys.
But a lot about this book just didn’t wow me. Edna’s desperation to recover her brother at all odds really isn’t explained, except that she doesn’t feel “the evil” insider her so much when he’s around. So he’s basically your teddy bear but you don’t necessarily love him? And the author tried to be so coy about “the evil”, but it was quite obvious. Then, when she reveals what it is and where it came from, it’s really no big deal and Edna easily accepts it.
The falling action is much too neat and tidy, with no real justification for how it came about. Edna and Ike fall into a relationship far too easily. If a boy was sticking his tongue in my mouth the first time he kissed me, I’d smack him. It’s almost as if the author was told to “steam things up a little.”
There are some nice twists and turns. The narrative style is fine, although the editing really gets worse toward the end—lots of very obvious typos. This is not labeled as a pre-release galley; I hope this got cleared up. There was also a rather obvious continuity error,
The cover is beautiful, and I quite like the design of the chapter dividers.
Possible Objectionable Material:
Kissing scenes, chase scenes, peril and imprisonment.
Who Might Like This Book:
Definitely a middle/YA audience. Readers of either gender. Steampunk fans. Approximate Lexile: 670
Thank you, NetGalley, for the ARC.
1 of 1 people found the following review helpful.
Recommended and can be read by people of all ages
By Cranky - The Book Curmudgeon
**** 4 Cranky Stars ****
YA, Steampunk, PNR, adventure and has some fantasy thrown into the mix. This is a novel that will appeal to all ages and I’d be happy handing it off to my kids to read, as I would recommending it to anyone who enjoys the above genres.
Cogling centers around Edna, our pithy, sometimes mean-spirited, but always good hearted, fifteen year old heroine. Oh, how I love her!
Set in an era similar to the Victorian period, Edna and her family are poor working class, just above the homeless on the street. Her mother works in a dancehall at all hours and her father works away on the rail station.
Edna is charged with taking care of her younger brother, Harrison, and while she is sometimes gruff with him, she loves him. They work for the local nobility, the Waxman’s, and although Edna doesn’t particularly enjoy her work or employers, they need the money to keep a roof over their heads.
In a magical land where hags roam, trolls are in swamps, legends abound, and old wars are unresolved, Harrison goes missing and is replaced by a Cogling: a magical, mechanical replacement. Cottoning onto the ruse, Edna sets out to reclaim her brother, setting in motion a chain of events that will change her life forever.
She meets Ike, a thief with talents, depths, and secrets, but can also lead her to Harrison. I have to say, I thoroughly enjoyed Edna and Ike’s interactions. Edna was at her pithiest, suspicious best here as well as at her sweetest.
This was a darn good read. I basically sat down and read it in one setting. I also enjoyed how Mierek didn’t shirk away from the issues where stratification shapes a society and not for the better. This period is often romanticized and we tend to overlook how abysmal life could be for those at the bottom or deemed less than. Also, social hierarchies are often illusory and can be stripped away by a lie as one character finds out.
I enjoyed all the characters in this story, even the bad ones and also, including the spoilt and sharp tongued, Rachel. Even though, at times, I wanted to brain her.
One question: Silver. What happened to him?
Recommended.
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